After reading the Final Project directions and possible projects, I am leaning towards creating a Story Map of the Bull Run aka Manassas Battlefields. The National Park Service provides visitors with a map of the area, and a self-guided driving tour for the second battlefield. I plan to research the key events, personalities, geography, etc... of the battles and will then visit the battlefields to take photos and notes. I found US Army Staff Ride guides for both battles on the US Army Center of Military History website (www.history.army.mil). I can lay out the story maps based upon the timelines and locations on the battlefields. There are several versions of Story Maps, and I am narrowing my research towards either a Tour or a Cascade. The Tour seems like a logical choice as the battlefield is already organized for walking and driving tours, but with the additional media and information available, a Cascade map may allow for a more interesting product....
Daniel Cohen and Roy Rosenzweig's Digital History: A Guide To Gathering, Preserving, and Presenting The Past On The Web is a free, digital textbook on the basics of digital history. The Introduction chapter lays out the scope and content of the textbook, and offers some insight and reasoning into the opportunities and challenges of digital history. Items of interest: 1. Critics on both sides on the potentials of "the internet" and digital media overstated the good and the bad. 2. Digital media forces instructors and students to build PowerPoint presentations instead of paper, chalkboard, overhead, or other physical forms. You still have to put in the work. 3. Seven opportunities: capacity, accessibility, flexibility, diversity, manipulability, interactivity, and hpertextuality. I think accessibility and capacity are the two most important. Large amounts of data and files are now shared to the public and remote researchers who do not need to invest in trav...
The Grateful Dead and Digital Audio/Video This week's readings about the debates and technologies of digitizing audio and video are well exemplified by the music and fans of the rock band, The Grateful Dead ("The Dead" from this point forward). From its lifetime of 1965-1995, and in the various incarnations still touring (Dead and Company is in DC in November, and Phil Lesh is playing in DC in October), the band built a loyal and deadicated fan base, many of whom toured with the band for multiple shows or tours. Fans started recording (aka "bootlegging") shows and shared/traded (and some evil fans sold) them with other fans. In the 1980's, the band openly embraced the recording and trading, and even set up tapers' sections for fans with recording equipment. The Dead eventually hired an Archivist to start organizing their collection of recordings in "The Vault," and he restored and preserved these concert recordings. The Grateful...
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