The Grateful Dead and Digital Audio/Video This week's readings about the debates and technologies of digitizing audio and video are well exemplified by the music and fans of the rock band, The Grateful Dead ("The Dead" from this point forward). From its lifetime of 1965-1995, and in the various incarnations still touring (Dead and Company is in DC in November, and Phil Lesh is playing in DC in October), the band built a loyal and deadicated fan base, many of whom toured with the band for multiple shows or tours. Fans started recording (aka "bootlegging") shows and shared/traded (and some evil fans sold) them with other fans. In the 1980's, the band openly embraced the recording and trading, and even set up tapers' sections for fans with recording equipment. The Dead eventually hired an Archivist to start organizing their collection of recordings in "The Vault," and he restored and preserved these concert recordings. The Grateful...
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